« À utiliser selon l’humeur »

Images littéraires et recyclage dans les manuscrits d’Andersen

Research output: Contribution to journalJournal articleResearchpeer-review

Abstract

The article presents the literary heritage of Danish author Hans Christian Andersen (1805-75), namely his manuscripts which are primarily preserved at two institutions: The Royal Library in Copenhagen and The Hans Christian Andersen Museum in Odense.
A pilot project is presently being developed at The Hans Christian Andersen Centre, University of Southern Denmark, but an assembled and transcribed literary Andersen archive has not yet been realised. The article demonstrates how the organizing and analysing of this material with a genetic approach may lead to the uncovering of interesting characteristics of Andersen’s creative process.
Critique Genetique is not a widespread approach in the current Danish literary and textual research environment, but the article outlines the positions that have nevertheless manifested themselves in this regard. In addition to an overall description of the creative practise of Andersen, the article explores two specific characteristics of this practise: The image as the creative starting point and prerequisite in the authors work, and recycling as a creative strategy in Andersen’s oeuvre.
Original languageFrench
JournalGenesis (Manuscrits-Recherche-Invention)
Volume48
Pages (from-to)159-168
Number of pages10
ISSN2268-1590
Publication statusPublished - Jun 2019

Cite this

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title = "« {\`A} utiliser selon l’humeur »: Images litt{\'e}raires et recyclage dans les manuscrits d’Andersen",
abstract = "The article presents the literary heritage of Danish author Hans Christian Andersen (1805-75), namely his manuscripts which are primarily preserved at two institutions: The Royal Library in Copenhagen and The Hans Christian Andersen Museum in Odense.A pilot project is presently being developed at The Hans Christian Andersen Centre, University of Southern Denmark, but an assembled and transcribed literary Andersen archive has not yet been realised. The article demonstrates how the organizing and analysing of this material with a genetic approach may lead to the uncovering of interesting characteristics of Andersen’s creative process. Critique Genetique is not a widespread approach in the current Danish literary and textual research environment, but the article outlines the positions that have nevertheless manifested themselves in this regard. In addition to an overall description of the creative practise of Andersen, the article explores two specific characteristics of this practise: The image as the creative starting point and prerequisite in the authors work, and recycling as a creative strategy in Andersen’s oeuvre.",
keywords = "H.C. Andersen, Genetisk kritik, Critique Genetique, Manuskripter",
author = "Ane Grum-Schwensen",
note = "Tidsskriftet er 6.11.2019 foresl{\aa}et tilf{\o}jet i Den Bibliometriske Forskningsindikator",
year = "2019",
month = "6",
language = "Fransk",
volume = "48",
pages = "159--168",
journal = "Genesis (Manuscrits-Recherche-Invention)",
issn = "2268-1590",
publisher = "Presses de l'universit{\'e} Paris-Sorbonne",

}

« À utiliser selon l’humeur » : Images littéraires et recyclage dans les manuscrits d’Andersen. / Grum-Schwensen, Ane .

In: Genesis (Manuscrits-Recherche-Invention), Vol. 48, 06.2019, p. 159-168.

Research output: Contribution to journalJournal articleResearchpeer-review

TY - JOUR

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AU - Grum-Schwensen, Ane

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AB - The article presents the literary heritage of Danish author Hans Christian Andersen (1805-75), namely his manuscripts which are primarily preserved at two institutions: The Royal Library in Copenhagen and The Hans Christian Andersen Museum in Odense.A pilot project is presently being developed at The Hans Christian Andersen Centre, University of Southern Denmark, but an assembled and transcribed literary Andersen archive has not yet been realised. The article demonstrates how the organizing and analysing of this material with a genetic approach may lead to the uncovering of interesting characteristics of Andersen’s creative process. Critique Genetique is not a widespread approach in the current Danish literary and textual research environment, but the article outlines the positions that have nevertheless manifested themselves in this regard. In addition to an overall description of the creative practise of Andersen, the article explores two specific characteristics of this practise: The image as the creative starting point and prerequisite in the authors work, and recycling as a creative strategy in Andersen’s oeuvre.

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