Shallow Narcissist or Sad Spinster? Childless Female Figures in Contemporary Popular Film and Television

The article charts the way childless women are portrayed in contemporary US-American popular film and television. I argue that these representations can be summarized as two distinct figures: The shallow narcissist and the sad spinster. Both figures are unworthy of recognition. The shallow narcissist refers to the voluntarily childless woman, who is being depicted as selfish, childish,and manipulative; the sad spinster refers to the involuntarily childless woman, who is depicted as asexual, lonely, sad, and pathetic. Both figures are founded in the discourse of “reproductive futurism” (Edelman) and teaches us that only a child can give meaning to women’s lives. Without a child, there is no proper identity and no fulfilling relations or kinships. I also point out, though, that there are exceptions, such as Tanya McQuoid from The White Lotus and Diane Lockhart from The Good Fight, that bring important nuances to the prevailing stereotypes.