Abstract
<p><span style="font-weight: 400;">Armed conflict is commonly seen as incompatible with sustained artistic creativity. This article revisits that assumption through the experience of Western classical composers. Drawing on quantitative and biographical evidence on composers born after 1800, it examines how war shaped composers’ mobility, creative output, and cultural reception. Armed conflict frequently disrupted cultural infrastructure, displaced composers, and weakened established cultural centres, but its effects on creative production were not uniform. In particular, defensive wars did not necessarily suppress musical output and, in some contexts, coincided with sustained or heightened creative activity. Wartime conditions also influenced which works acquired lasting cultural significance, as music became associated with collective experience and historical memory. These patterns shed light on how conflict reshapes artistic careers, and on the mechanisms through which wartime reception can elevate certain works into durable symbols of collective experience - processes of cultural and moral mobilization during wartime.</span></p>
| Original language | English |
|---|---|
| Journal | Kulturstudier |
| Volume | 17 |
| Issue number | 1 |
| Pages (from-to) | 105-116 |
| ISSN | 1904-5352 |
| DOIs | |
| Publication status | Published - 29. May 2026 |
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