Body memories in artistic improvisation: a dialogical embodied exchange of movement

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Abstract

When engaging in observations of and interviews with expert artists, such as dancers and musicians, it becomes evident that their practices are, in different ways, focused on developing, adjusting and optimising certain techniques of the body. In the phenomenological analysis of body memory in dance and musicianship presented in this paper, we contend that it would be a mistake to think of these body techniques – or specialised habits – as a repertoire of more or less automatized movements. Rather, in each repetition, body memories including these habits are to be understood as unfolding in response to the present context and accordingly instantiate a fresh memory of these habits while moulding them at the same time. In that sense, any habit is also always improvised in some degree – adjusted and timed in accordance with the present situation. In recent sociological discussions, several researchers have drawn attention to the facts that when exploring, and possibly changing, habits, we at the same time rely on other habits and that habit does not only include sensory-motor use of our bodies, but also the way we handle our attention and focus our awareness. We argue that dance and musical improvisation can then only be understood when taking into consideration its complex relation to habits and body memory. In the analysis we specifically draw on resent philosophical discussions (e.g. Sutton, Colombetti, Montero; Fuchs) to describe how body memories are not to be reduced to certain internalised dispositions, activated when performing. Rather body memories unfold and find their form in the contextual field of a dialogical embodied exchange of movement.
Original languageEnglish
Publication date2016
Number of pages1
Publication statusPublished - 2016
EventBody of Knowledge: Embodied Cognition and the Arts - Claire Trevor School of the Arts, University of California, Irvine, United States
Duration: 8. Dec 201610. Dec 2016
Conference number: 1

Conference

ConferenceBody of Knowledge: Embodied Cognition and the Arts
Number1
LocationClaire Trevor School of the Arts, University of California
Country/TerritoryUnited States
CityIrvine
Period08/12/201610/12/2016

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