Abstract
Antonio's opening claim in The Merchant of Venice, that he is ‘so sad’ because he has been given a sad role on the world stage, has often been neglected in the history of the play's reception. The present analysis begins with an examination of central passages to clarify the role of sadness in relation to the trope of the theatrum mundi. It shows that the sadness is persistent and earnest, and that this is caused by an understanding of the meaning of the theatrum mundi, which has hitherto been overlooked. The article then considers the historical light in which the theatrum mundi should be seen in the context of the play with respect to the prior textual analysis. The suggestion is that in relation to both the intellectual history of ideas and to Elizabethan audience-response, the play negotiates a Christian-Stoic version of the theatrum mundi without breaking away from the genre of comedy and paradoxically not abandoning Antonio's sadness.
| Original language | English |
|---|---|
| Journal | Orbis Litterarum |
| Volume | 74 |
| Issue number | 4 |
| Pages (from-to) | 264-277 |
| ISSN | 0105-7510 |
| DOIs | |
| Publication status | Published - 17. Jul 2019 |
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Keywords
- Shakespeare
- The Merchant of Venice
- Sadness
- Theatrum mundi
- Stoicism
- world theatre
- sadness
- theatrum mundi
Cite this
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Antonio’s Sadness in the Stoic Theatrum Mundi of the Early Modern City. / Vangshardt, Rasmus.
In: Orbis Litterarum, Vol. 74, No. 4, 17.07.2019, p. 264-277.Research output: Contribution to journal › Journal article › Research › peer-review
TY - JOUR
T1 - Antonio’s Sadness in the Stoic Theatrum Mundi of the Early Modern City
AU - Vangshardt, Rasmus
N1 - Shakespeare, The Merchant of Venice, theatrum mundi, world theatre, Stoicism, sadness
PY - 2019/7/17
Y1 - 2019/7/17
N2 - Antonio's opening claim in The Merchant of Venice, that he is ‘so sad’ because he has been given a sad role on the world stage, has often been neglected in the history of the play's reception. The present analysis begins with an examination of central passages to clarify the role of sadness in relation to the trope of the theatrum mundi. It shows that the sadness is persistent and earnest, and that this is caused by an understanding of the meaning of the theatrum mundi, which has hitherto been overlooked. The article then considers the historical light in which the theatrum mundi should be seen in the context of the play with respect to the prior textual analysis. The suggestion is that in relation to both the intellectual history of ideas and to Elizabethan audience-response, the play negotiates a Christian-Stoic version of the theatrum mundi without breaking away from the genre of comedy and paradoxically not abandoning Antonio's sadness.
AB - Antonio's opening claim in The Merchant of Venice, that he is ‘so sad’ because he has been given a sad role on the world stage, has often been neglected in the history of the play's reception. The present analysis begins with an examination of central passages to clarify the role of sadness in relation to the trope of the theatrum mundi. It shows that the sadness is persistent and earnest, and that this is caused by an understanding of the meaning of the theatrum mundi, which has hitherto been overlooked. The article then considers the historical light in which the theatrum mundi should be seen in the context of the play with respect to the prior textual analysis. The suggestion is that in relation to both the intellectual history of ideas and to Elizabethan audience-response, the play negotiates a Christian-Stoic version of the theatrum mundi without breaking away from the genre of comedy and paradoxically not abandoning Antonio's sadness.
KW - Shakespeare
KW - The Merchant of Venice
KW - Theatrum mundi
KW - world theatre
KW - Stoicism
KW - Sadness
KW - Shakespeare
KW - The Merchant of Venice
KW - Sadness
KW - Theatrum mundi
KW - Stoicism
KW - world theatre
KW - sadness
KW - theatrum mundi
U2 - 10.1111/oli.12228
DO - 10.1111/oli.12228
M3 - Journal article
VL - 74
SP - 264
EP - 277
JO - Orbis Litterarum
JF - Orbis Litterarum
SN - 0105-7510
IS - 4
ER -