Personal profile

Research areas

Presentation

I studied comparative literature, German and Cultural Studies in Odense (DK), Zürich and Copenhagen. In 2012, I finished my doctoral thesis on representation of the Holocaust in the magnum opus of the Austrian writer Elfriede Jelinek Die Kinder der Toten (1995). The thesis is published under the title Poetologie “nach Auschwitz”. Narratologie, Semarntik und sekundäre Zeugenschaft in Elfriede Jelineks Roman ‚Die Kinder der Toten.‘ (Berlin: Frank&Timme, 2016).

In my first postdoc project, I investigated austrian Holocaust-literature by the second and third generation. In my second postdoc project, I turned my attention to migrant literature. I investigate circulation of memories from Eastern Europe to the West (i.e. Germany). I explored clashes of memory cultures, the interaction and frictions between institutional and artistic memory cultures and the impact of artistic works on art on cultural memory.

 

Between 2019 and 2023. I was the primary investigator of the collaborative project on post-Yugoslav migrant literature and the circulation of Bosnian War time memory to Denmark, Germany and the UK.

Member of the advisory Board of the Memory Studies Organisation

 

Main research fields

Memory studies

German and danish Holocaust literature by the second and third generation 

European and German memory culture

Contemporary austrian literature (Elfriede Jelinek, Thomas Bernhard)

Migrant literature

Postcolonialism

Former resarch

Mnemonic migration - Transnational Circulation and Reception of Wartime Memories in post-Yugoslav Migrant Literature (Running from 2019 until 2023)

In a time of increased migratory flows, it is of particular relevance to understand how migration changes the conditions for the construction of cultural memory and national identity. This project will do just that by investigating the impact of a pan-European wave of post-Yugoslav migrant literature on readers in the German, Scandinavian and English speaking regions. It will develop a multifaceted method for investigating the interplay between the migrant, as carrier of alien memories, the local “memory consumer”, and established frameworks of memory that govern what ought to be remembered and how. Conceptualizing the migrant’s transmission of (traumatic) memories into new frameworks of memories as mnemonic migration, the project investigates the ability of migrant authors to function as ambassador for Yugoslav war time memories in distant societies and to provide new discursive means that, in a reciprocal process, are able to affect elite discourses in the authors’ home countries. See project homepage.

 

Transcultural Memory as Battlefield of European Identity –The Making of Europe in Contemporary German-Language Migrant Literature (Running from 2016 to 2018)

This research project investigated the interrelations and frictions between imaginations of Europe in contemporary Jewish-German migrant literature and those brought forth on the political level of EU’s memory politics. The project will focus memory competitions between various national and transnational histories that hamper the attempt of the European Union to agree on a common understanding of the past. In this, I investigate interconnections and mutual influences between political and artistic formations of cultural memory and the ability of German-Jewish migrant literature to propel an understanding between conflicting versions of the past.

Primary result: Transcultural Memory and European Identity in Contemporary German-Jewish Migrant Literature. New York: Camden House, 2022.

 

Research areas

Current Research

Revival of Traumatic Pasts: Colonization, Nazism and Fascism in contemporary German and Italian Fiction and Memory Activism

Despite the temporal distance, Italy and Germany have presently begun to recognize their ethical “implication” (Rothberg 2019) into the crimes of colonialism. The revival of these vital but marginalized memories challenges the core of these countries’ national identities contradicting the singularity of the Holocaust (Rigney 2014) and the embellishment of Italian colonialism (Ponzanesi 2012). This project understands German and Italian authors of postcolonial fiction and memory activists as two types of “memory entrepreneurs” (Pollak 1993), who in different manners criticize Germany’s and Italy’s amnesia of their colonist crimes. Linking postcolonial theory with the theories from the transnational and activist turn in memory studies, it juxtaposes the two cases by exploring how key agents make colonialism “memorable” (Rigney 2021) and create“multidirectional” (Rothberg 2009) narratives that interlink various traumatic histories and revise urban spaces that honour the colonial past.

Education/Academic qualification

German Studies, PhD, University of Copenhagen

1. Sept 200931. May 2012

Award Date: 11. May 2012

Cultural Studies, Master, University of Copenhagen

Award Date: 19. May 2006

Comparative Literature, Bachelor, University of Southern Denmark

Award Date: 6. Mar 2002

Research areas

  • Politics of Culture

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