The Thrill of the Nordic Kill: The Manhunt Movie in the Nordic Thriller

Rikke Schubart

The Thrill of the Nordic Kill: The Manhunt Movie in the Nordic Thriller

Publikation: Kapitel i bog/rapport/konference-proceeding › Kapitel i bog › Forskning › peer review

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Abstrakt

chapter in Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, eds Tommy Gustafsson and Pietari Kääpä. The chapter has three aims: First, it establishes the central generic traits of the
manhunt movie. Second, it sets up a theoretical framework of sociobiological and
ecological theories with hunting as a reference point. And, third, it examines the
Nordic version of the manhunt movie focusing on the themes of hunting, nature,
social standing, and civilization. I look at the Danish drama The Hunt (2012, Thomas
Vinterberg), the Norwegian thriller-heist-comedy Headhunters (2011, Morten
Tyldum), and the Swedish thrillers The Hunters (Jägarna, 1996) and False Trail
(Jägarna 2, 2011) by Kjell Sundvall

Originalsprog	Engelsk
Titel	Nordic Genre Film : Small Nation Film Cultures in the Global Marketplace
Redaktører	Tommy Gustafsson, Pietari Kääpä
Antal sider	20
Forlag	Edinburgh University Press
Publikationsdato	2015
Udgave	1
Sider	76-90
ISBN (Trykt)	9780748693184
ISBN (Elektronisk)	9780748693207
Status	Udgivet - 2015

Navn	Traditions in World Cinema

Dokumenter og links

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http://www.euppublishing.com/book/9780748693184

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1 Konferenceoplæg

Network for European Cinema and Media Studies
Rikke Schubart (Oplægsholder)
19. jun. 2014 → 21. jun. 2014
Aktivitet: Foredrag og mundtlige bidrag › Konferenceoplæg

Fil

Citationsformater

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abstract = "“This world{\textquoteright}s divided into two kinds of people: The hunter and the hunted,” big-game hunter Rainsford says in The Most Dangerous Game (1932) and self-assured continues, “Luckily, I{\textquoteright}m a hunter. Nothing can ever change that.” Well, he will discover that in the manhunt movie even the hunter can become prey. The manhunt movie is a subgenre of the Hollywood thriller which joins two elements: big-game sport hunting and hunting humans. Sport hunting stirs up themes of nature and culture, morals and ethics, masculinity, and, finally, civilization. Here, we will ask what happens when the subgenre is used in the Nordic thriller.The chapter has three aims: First, it establishes the central generic traits of the manhunt movie. Second, it sets up a theoretical framework of sociobiological and ecological theories with hunting as a reference point. And, third, it examines the Nordic version of the manhunt movie focusing on the themes of hunting, nature, social standing, and civilization. I look at the Danish drama The Hunt (2012, Thomas Vinterberg), the Norwegian thriller-heist-comedy Headhunters (2011, Morten Tyldum), and the Swedish thrillers The Hunters (J{\"a}garna, 1996) and False Trail (J{\"a}garna 2, 2011) by Kjell Sundvall.",

keywords = "nordic genre film, ecological media theory, manhunt film, thomas vinterberg, The Hunt, The Hunters, Headhunters, Morten Tyldum, Kjell Sundvall, film drama, Nordic film drama, Nordic film history",

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The Thrill of the Nordic Kill : The Manhunt Movie in the Nordic Thriller. / Schubart, Rikke.

Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace. red. / Tommy Gustafsson; Pietari Kääpä. 1. udg. Edinburgh University Press, 2015. s. 76-90 (Traditions in World Cinema).

Publikation: Kapitel i bog/rapport/konference-proceeding › Kapitel i bog › Forskning › peer review

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KW - Kjell Sundvall

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The Thrill of the Nordic Kill: The Manhunt Movie in the Nordic Thriller

Abstrakt

Dokumenter og links

Network for European Cinema and Media Studies

Citationsformater