Introduction

Publikation: Bidrag til bog/antologi/rapport/konference-proceedingForord/efterskriftForskningpeer review

Resumé

In the child, both writing and drawing develop from what I call the fundamental graphic act, the making of traces on a surface that constitute a progressive record of movement […] The movement of the tool over the surface is both felt and seen, The muscle-joint-skin kinesthesis is emphasized by orthodox sensory psychology, and the visual kinesthesis is emphasized by my perceptual psychology. But these are transient awarenesses. The seeing of a progressive record of the movement of the tool is lasting. There is a track of trail of the movement, like the afterimage of a firebrand whirled in the darkness, except that it is permanent-a stroke, a stripe, or a streak, in short, a trace.

OriginalsprogEngelsk
TitelThe Materiality of Writing : A Trace-Making Perspective
RedaktørerChristian Mosbæk Johannessen, Theo van Leeuwen
Udgivelses stedNew York
ForlagRoutledge
Publikationsdato1. jan. 2018
Sider1-11
ISBN (Trykt)9781138679726
ISBN (Elektronisk)9781134986392
DOI
StatusUdgivet - 1. jan. 2018

Fingeraftryk

Kinesthesis
Psychology
Afterimage
Fundamental
Darkness
Trails

Citer dette

Johannessen, C. M., & van Leeuwen, T. (2018). Introduction. I C. M. Johannessen, & T. V. Leeuwen (red.), The Materiality of Writing: A Trace-Making Perspective (s. 1-11). New York: Routledge. https://doi.org/10.4324/9781315537306-1
Johannessen, Christian Mosbæk ; van Leeuwen, Theo. / Introduction. The Materiality of Writing: A Trace-Making Perspective. red. / Christian Mosbæk Johannessen ; Theo van Leeuwen. New York : Routledge, 2018. s. 1-11
@inbook{3cf8b07226ce454aa898a3ae3899348e,
title = "Introduction",
abstract = "In the child, both writing and drawing develop from what I call the fundamental graphic act, the making of traces on a surface that constitute a progressive record of movement […] The movement of the tool over the surface is both felt and seen, The muscle-joint-skin kinesthesis is emphasized by orthodox sensory psychology, and the visual kinesthesis is emphasized by my perceptual psychology. But these are transient awarenesses. The seeing of a progressive record of the movement of the tool is lasting. There is a track of trail of the movement, like the afterimage of a firebrand whirled in the darkness, except that it is permanent-a stroke, a stripe, or a streak, in short, a trace.",
author = "Johannessen, {Christian Mosb{\ae}k} and {van Leeuwen}, Theo",
year = "2018",
month = "1",
day = "1",
doi = "10.4324/9781315537306-1",
language = "English",
isbn = "9781138679726",
pages = "1--11",
editor = "Johannessen, {Christian Mosb{\ae}k} and Leeuwen, {Theo van }",
booktitle = "The Materiality of Writing",
publisher = "Routledge",
address = "United Kingdom",

}

Johannessen, CM & van Leeuwen, T 2018, Introduction. i CM Johannessen & TV Leeuwen (red), The Materiality of Writing: A Trace-Making Perspective. Routledge, New York, s. 1-11. https://doi.org/10.4324/9781315537306-1

Introduction. / Johannessen, Christian Mosbæk; van Leeuwen, Theo.

The Materiality of Writing: A Trace-Making Perspective. red. / Christian Mosbæk Johannessen; Theo van Leeuwen. New York : Routledge, 2018. s. 1-11.

Publikation: Bidrag til bog/antologi/rapport/konference-proceedingForord/efterskriftForskningpeer review

TY - GEN

T1 - Introduction

AU - Johannessen, Christian Mosbæk

AU - van Leeuwen, Theo

PY - 2018/1/1

Y1 - 2018/1/1

N2 - In the child, both writing and drawing develop from what I call the fundamental graphic act, the making of traces on a surface that constitute a progressive record of movement […] The movement of the tool over the surface is both felt and seen, The muscle-joint-skin kinesthesis is emphasized by orthodox sensory psychology, and the visual kinesthesis is emphasized by my perceptual psychology. But these are transient awarenesses. The seeing of a progressive record of the movement of the tool is lasting. There is a track of trail of the movement, like the afterimage of a firebrand whirled in the darkness, except that it is permanent-a stroke, a stripe, or a streak, in short, a trace.

AB - In the child, both writing and drawing develop from what I call the fundamental graphic act, the making of traces on a surface that constitute a progressive record of movement […] The movement of the tool over the surface is both felt and seen, The muscle-joint-skin kinesthesis is emphasized by orthodox sensory psychology, and the visual kinesthesis is emphasized by my perceptual psychology. But these are transient awarenesses. The seeing of a progressive record of the movement of the tool is lasting. There is a track of trail of the movement, like the afterimage of a firebrand whirled in the darkness, except that it is permanent-a stroke, a stripe, or a streak, in short, a trace.

U2 - 10.4324/9781315537306-1

DO - 10.4324/9781315537306-1

M3 - Preface/postscript

SN - 9781138679726

SP - 1

EP - 11

BT - The Materiality of Writing

A2 - Johannessen, Christian Mosbæk

A2 - Leeuwen, Theo van

PB - Routledge

CY - New York

ER -

Johannessen CM, van Leeuwen T. Introduction. I Johannessen CM, Leeuwen TV, red., The Materiality of Writing: A Trace-Making Perspective. New York: Routledge. 2018. s. 1-11 https://doi.org/10.4324/9781315537306-1