How is Design ‘Aesthetic’? Processes of Meaning Formulation and Cultural Framing in Design

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    Abstract

    This paper has a dual purpose. First, it will present an interpretive framework for investigating the formation and articulation of aesthetic meaning in design. Hereby, aesthetic meaning can be seen to evolve on three levels, on a sensual-phenomenological level, a conceptual-critical level, and a contextual-discursive level. Taking this as an outset, the paper will then critically reflect the impact of the cultural framing of design and focus at the cultural element of aestheticization, that is, the procedures by which design objects are not only regarded as aesthetic in themselves but also attributed meaning as aesthetic by external factors, e.g. in mediation. The play on aesthetic meaning in the context of aestheticization is reflected in a close analysis of a case of contemporary Danish design, the lamp series Caravaggio (2005) by Cecilia Manz for the company Light Years. Thus, it is an argument of the paper, that when we ask for the aesthetics in design, how design is aesthetic, this may be answered by both addressing the internal meaning formulation and the external cultural framing in design.
    OriginalsprogEngelsk
    TidsskriftWassard Elea Rivista
    Vol/bind2
    Udgave nummer1
    Sider (fra-til)14-30
    Antal sider17
    StatusUdgivet - 20. apr. 2014
    BegivenhedThe Aesthetics of Design: American Society of Aesthetics - Ascea, Italien
    Varighed: 16. maj 201418. maj 2014

    Seminar

    SeminarThe Aesthetics of Design
    Land/OmrådeItalien
    ByAscea
    Periode16/05/201418/05/2014

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